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If you have gone through the first two lessons and have experienced the thrill of hearing real musical sounds come from your flute you will be more than ready to develop some new skills. In this lesson I will show you how to add variety and dynamics to your playing.

First, make the sound tah by touching the tip of your tongue to the top of the pallet of your mouth just behind your teeth and blowing some air pressure against it as you suddenly let the tongue go slack. It’s a tah like the beginning of the word table. Do you feel the air blow outward explosively? Try it again – make the sound tah, tah, tah out loud. Now, do it again silently. Put your flute to your mouth and with all holes closed. Make a silent tah into the flute as you sound the fundamental note. Now, sound the fundamental by just blowing into the flute. Do you hear the difference between these two sounds? The one made with a tah is sharper and quicker than the plain blowing into the flute. This is called a different articulation of the note.

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from How to Play the Native American Style Flute, released April 7, 2008

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Bill Leyden Prescott, Arizona

Bill Leyden is a prolific composer of ambient music and an accomplished modern-day interpreter of the Native American-style flute.

His music has become a fast favorite with massage therapists, healers and practitioners of meditation and Yoga.

His melodies may be heard in film and television.
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